Salomé

This film is not an illustration of a historical narrative or a play but it is structured by its own dynamic and three basic elements: light, color and projection speed. Through their interaction it is the viewer. The film offers a questioning: 1) it generates that is to say, its own history; 2) the imagination of the viewer and his glance; 3) the only Outside questioned: the fate of the image that is his only chance to be. (…)